{"version":"1.0","provider_name":"Iperfocale","provider_url":"https:\/\/www.iperfocale.com\/en\/","author_name":"Giovanni Cappiello","author_url":"https:\/\/www.iperfocale.com\/en\/author\/redazione\/","title":"A. Kertesz - Broken Window, Prague - 1929","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"foqm01qE2T\"><a href=\"https:\/\/www.iperfocale.com\/en\/a-kertesz-finestra-rotta-praga-1929\/\">A. Kertesz - Broken Window, Prague - 1929<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.iperfocale.com\/en\/a-kertesz-finestra-rotta-praga-1929\/embed\/#?secret=foqm01qE2T\" width=\"600\" height=\"338\" title=\"&#8220;A. Kertesz - Broken Window, Prague - 1929&#8221; &#8212; Iperfocale\" data-secret=\"foqm01qE2T\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.iperfocale.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.iperfocale.com\/wp-content\/uploads\/2025\/10\/a-kertesz-broken-window-1929-square.jpg","thumbnail_width":624,"thumbnail_height":624,"description":"What has painting found beyond the garden of mimesis, whose gates photography would fling open for it? Freed \u2014 to use Jean Cocteau's expression \u2014 from the function of faithfully imitating reality, on what did \"no longer figurative\" art build its own identity? Setting aside, of course, the problematic relationship with the public that has&hellip;"}